Please use this identifier to cite or link to this item: http://10.1.7.192:80/jspui/handle/123456789/12287
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dc.contributor.authorKakadiya, Janhavi-
dc.date.accessioned2024-07-23T10:28:54Z-
dc.date.available2024-07-23T10:28:54Z-
dc.date.issued2024-06-
dc.identifier.urihttp://10.1.7.192:80/jspui/handle/123456789/12287-
dc.descriptionGuided by Prof. Prachi Patelen_US
dc.description.abstractThis thesis delves into the profound interrelationship between Ajrakh block printing and residential architecture in Dhamadka and Ajrakhpur, two culturally rich villages in Gujarat, India. Ajrakh, a cultural emblem renowned for its intricate designs and use of natural dyes, serves as a cultural expression and a significant determinant in the spatial and architectural configuration of artisan homes. The study specifically examines how the Ajrakh printing process influences the spatial organization of homes, comparing the differences in house typologies between the traditional village of Dhamadka and the newly planned village of Ajrakhpur, rebuilt after the 2001 earthquake. A comparative analysis of the two villages will highlight how each adapts its housing layout to the needs of the Ajrakh craft. Studying craft diversity provides insights into the unique organization of houses, particularly when considering the needs and patterns of work within the home. This perspective is precious in understanding Ajrakh as a craft, illuminating its historical context, material choices, and meticulous printing processes. The requirements of Ajrakh printing deeply influence the spatial arrangement of artisan homes and communal areas. Workshops are designed to maximize natural light and air circulation, essential for the craft, while large open spaces facilitate the drying of printed fabrics. Storage areas for dyes and cloths and drying spaces for the finished textiles are explored to understand how craft practices shape living environments. For this research, a comprehensive mixed-methods approach was employed. This included conducting field observations, architectural surveys, and interviews with local artisans. By documenting and analyzing the architectural adaptations made to accommodate the craft, we can shed light on how the Ajrakh craft has not only influenced the textile industry but also the residential architecture of its native region.en_US
dc.language.isoen_USen_US
dc.publisherInstitute of Architecture & Planning, Nirma Universityen_US
dc.relation.ispartofseries;ADR00378-
dc.subjectThesisen_US
dc.subjectThesis 2024en_US
dc.subjectB. Archen_US
dc.subject19BARen_US
dc.subject19BAR061en_US
dc.subjectAjrakh Block Printingen_US
dc.subjectSpatial house organizationen_US
dc.subjectArtisanal communitiesen_US
dc.subjectKutchen_US
dc.subjectIndigo dyeen_US
dc.subjectComparative house studyen_US
dc.titleUnderstanding the House Organization Through Crafts: A Case of Dhamadka and Ajrakhpuren_US
dc.typeDissertationen_US
Appears in Collections:Bachelor of Architecture

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