Please use this identifier to cite or link to this item: http://10.1.7.192:80/jspui/handle/123456789/12628
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dc.contributor.authorThakkar, Jenish-
dc.date.accessioned2025-01-17T08:22:17Z-
dc.date.available2025-01-17T08:22:17Z-
dc.date.issued2021-06-
dc.identifier.urihttp://10.1.7.192:80/jspui/handle/123456789/12628-
dc.descriptionGuided by: Prof. Jitendra Menghanien_US
dc.description.abstractMinimalism is one of the most prominent periods in Modern Architecture. This approach focuses on removing unnecessary elements and defining the actual essence of any architectural piece. It was popular among architects who sought simplicity, openness, and spirituality in their work. Mies van der Rohe, a prominent architect, revolutionized the sphere of architecture by adopting the famous maxim "less is more" into his works. The concept of Minimalism, which was seen in artworks, was adopted into architecture. The discourse of Minimalism witnessed a considerable increase in various fields like art, sculpture, design, while its exposition in the field of architecture was almost absent. The thesis, therefore aims to read and interpret Minimalistic architecture of Mies Van der Rohe and identify the continuity of the same in the Neo-Minimalist works. To accomplish this, the research attempts to comprehend 'Minimalist' philosophy of Miesin domestic architecture across time and extract its design principles through spatial and form-based analysis. Furthermore, the thesis identifies the continuity of the philosophy in the Neo-minimalist architecture which would include the works of his disciples, students, colleagues and architects who were inspired from his work. The works of architects Craig Ellwood, Philip Johnson, Eduardo Souto de Moura and Glenn Murcutt (Students and Disciples, Neo-Minimalists) are chosen as case studies, to undertake a comparative study for understanding their architecture language, continuity and evolution of the philosophy of the pioneer. One of the key findings that this paper tries to uncover is: how the treatment of inevitable minimalist aspects such as relation to nature, creating clean and simple geometric spaces, treatment of the modern building material like glass and steel has progressed. The disciples, students, Neo-minimalist builds on the philosophy of the pioneer and attempt to exhibit their understanding of it with changing context, period, materials, technologies etc. This study can be a catalyst for understanding the minimalist works over the period of time, evolution of the philosophy and provide a basis for comparison to uncover future Neo-minimalist projects.en_US
dc.language.isoen_USen_US
dc.publisherInstitute of Architecture & Planning, Nirma Universityen_US
dc.relation.ispartofseries;ADR00129-
dc.subjectThesisen_US
dc.subjectThesis 2021en_US
dc.subjectB. Archen_US
dc.subject16BARen_US
dc.subject16BAR024en_US
dc.subjectMinimalismen_US
dc.subjectMies Van der Roheen_US
dc.subjectNeo-Minimalismen_US
dc.subjectIndustrial Revolutionen_US
dc.titleInfluence of Mies Van Der Rohe’S Minimalism on Neo-Minimalist Architecture - A Comparative Study: In Case of Domestic Architectureen_US
dc.typeDissertationen_US
Appears in Collections:Bachelor of Architecture

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